A story about the repition of violence and resistance

Synopsis

“Until The Sun Dies“ unfolds its stories over co-incidences of the contrary: life born from death, and death from the pursuit of peace and justice. Through its insight into the struggles of two social leaders in Colombia’s “post-conflict“ era, the film invites us to delve deeply into the stories of those who have defied violence.
Two intimate portrayals, told side-by-side on simultaneous struggles, woven together into a universal story of courage. In one thread, we follow Nobel Peace Prize nominee Luz Marina, a mother seeking justice after the extrajudicial killing of her son. In the other thread, we follow the Nasa indigenous leader Albeiro as he defends his territory against armed groups and multinational companies. The ancestral Indigenous saying “until the sun dies“ mirrors Luz Marina’s and Albeiro’s uncompromising fight for a world where life wins over death, equality over inequality, and the voice of the people over the imposed silence of violence.
But their stories also mirror a condition of humanity, where the beauty of life and resistance is seamlessly falling into death and destruction.“Until The Sun Dies” is a tribute to the thousands and thousands of lives lost in a war that was never their war. A restless meditation on territory and identity, sorrow and community. A completely independent production and first feature-length documentary by human rights activist and director Jonas Brander, this humble film reminds us that the voices of those barely heard in mainstream media are those who will pave the way into another future.

Jonas Brander

Directors Note

This movie has been a constant learning process, a constant critical reflection on how I can be an ally of the people and communities who rise up against violence, injustice and post-colonial politics. It explores how cinema can contribute to a transformative process towards a better future.
As a human rights activist who has spent over three and a half years in Colombia, I approached our protagonists as friends. Together with the Colombian producer Catalina Florez, we recognized the lack of films focusing solely on their perspective.
Consequently, we developed this project through extensive conversations with our team members from the communities and the protagonists themselves.Filmed over a period of 6 years and entirely self-financed, this debut feature film humbly aims to prove that, even without substantial financial support and technical perfection, documentary cinema can achieve what truly moves us: intimacy, relationships, and depth. My artistic approach to attaining this goal embraces radical curiosity and openness, emphasizing the importance of genuine listening, connection, and observation.
By allowing the story to shape itself over an extended period, always in close collaboration with its protagonists. This approach and quest for intimacy define the storytelling, while the emotional connection between the viewer and the protagonists shapes the narrative structure. We can only grow together by listening and I hope that this movie can be part of a collective process towards a more reciprocating practice in filmmaking.
HOW DID YOU ENSURE THE CONSENT OF THE PROTAGONISTS DURING THE FILMMAKING PROCESS?

Our commitment to ethical filmmaking is paramount, and the process of obtaining consent is a central aspect of this. This journey unfolded over many years, with a significant emphasis on nurturing and maintaining relationships. Our small team worked closely with Luz Marina and Albeiro, forming bonds of trust and understanding, underlining the fact that consent goes beyond a mere signature – it necessitates a deep level of mutual trust and ongoing dialogue.

In the case of the indigenous communities, we consistently sought permission from their local authorities before initiating any filming. Furthermore, these authorities were informed about the purpose of the shoot, ensuring that the community was aware and supportive of our efforts. Upon the completion of the editing process and before any public exposure, we arranged screenings for the protagonists, Albeiro’s family, and the indigenous authorities. Their permission and valuable insights on the material were sought before we considered showcasing the film to the wider audience. It was our priority to ensure that our portrayal was accurate, respectful, and agreed upon by those whose lives and stories we were privileged to capture.

Festivals

OCT/2024 Seattle
Seattle Latino Film Festival
Winner Best Documentary


OCT/2024 Saint-Laurent du Maroni
Festival Internacional du Film documentaire Amazonie-Caraibes
International Competition


OCT/2024 Guadalupe
Monde en Vues Human Rights Film Festival
International Competition


JUL/2024 PALERMO
Sole Luna DOC
Winner Best Documentary

JUL/2024 VICO EQUENSE
SOCIAl WORLD FILM FESTIVAL
OFF Doc Section

APR/2024 BERLIN
Achtung! Berlin
Best Cinematography Documentary

APR/2024 BARCELONA
IMPACTE! Human Rights Film Festival of Catalonia

International Competition

APR/2024 FORT COLLINS
ACT Human Rights Film Festival
Official Selection

APR/2024 DHAKA
Liberation Docfest Bangladesh
International Competition

MAR/2024 MÁLAGA
Festival de Málaga
Biznaga Best Directing & Special Mention Best Movie

MAR/2024 SANTIAGO DE CUBA
Festival Internacional de Santiago Álvarez
Official Selection

JAN/2024 WÜRZBURG
Film Wochenende

Winner Best Documentary

DEC/2023 NEW YORK
New York Human Rights Film Festival

International Competition

NOV/2023 SANTA MONICA
Ethos Film Awards

Official Selection

NOV/2023 CALI
FICCALI

Cine sin limites

OCT/2023 BOSTON
CineFest Latino

Official Selection

OCT/2023 LOS ANGELES
Awareness Film Festival

Honorable Mention

OCT/2023 OSNABRÜCK
Filmfest Osnabrück

Vistas Latinas

OCT/2023 BRUSSELS
Festival de Libertés

Salvador Allende Award

SEP/2023 CUENCA
Festival International de Cine de Cuenca

Official Selection

SEP/2023 MILAN
Visioni dal Mondo

International Competition

WIP & Markets

Oct/2022 COLOGNE
European Work in Progress

Gruvi Award

OCT/2022 LEIPZIG
DOK LEIPZIG

DOK Film Market

APR/2023 NYON
Visions du Reel

VdR-Film Market

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The protagonists

Albeiro CamayoIndigenous Leader

Luz Marina BernalLeader against state crimes

In the aftermath of her son’s murder in 2008, Luz Marina Bernal united with other mothers from her local community, all victims of the same horrifying crime. Situated in Soacha, a suburb on the outskirts of Bogotá, Colombia’s capital, these mothers established the group “Madres de Soacha.” United, they denounced the state for the deaths of their sons, unveiling a deeply rooted and systematical crime in the process: Young men, enticed by deceptive promises of employment, were led hundreds of miles from their homes. They were then brutally executed by the Colombian military, their deaths masqueraded under the false guise of being fallen guerrilla fighters.
Luz Marina and the other mothers spent years relentlessly condemning these actions, unveiling a horrifying pattern: approximately between 6.000 and 10,000 civilians had met the same brutal fate at the hands of the Colombian military. Their determined resistance caused Luz Marina to become a national leader and symbol of resistance against these state atrocities. Luz Marina evolved into a notable public figure, her life consumed entirely by her struggle for justice.

She participated in peace talks in Havana, was nominated for the Nobel Peace Prize in 2016, and ran for Senate under the banner of the “Colombia Humana” movement. Moreover, she brought a lawsuit against ex-president Alvaro Uribe, while continuing to expose the crimes through artistic mediums such as art and theatre.

Albeiro Camayo, an indigenous farmer, led a humble life within his community. The Nasa tribe, to which he belonged, is renowned for one of the strongest resistance movements in all of Latin America. For centuries, they’ve engaged in protecting their territories and reclaiming stolen land, standing defiant against colonial and capitalist intrusions. Born to community leaders, Albeiro dedicated his entire life to defending his communities rights and autonomy. In recent decades, the situation within his territory grew increasingly convoluted due to the influx of armed groups, illegal mining activities, drug trafficking, and massive land monopolies. In accordance with their cosmovision, Albeiro and his community knew that their only option was to actively resist these encroachments and safeguard Mother Earth.

Fueled by this profound connection to their land, Albeiro and his community established an unarmed self-defense unit, the „Guardia Indígena“. Albeiro became one of the most important coordinators of this group. The subsequent years witnessed Albeiro leading large-scale protests against the government, including street blockades, reclaiming land from multinational corporations, and shutting down illegal mining and illicit cultivation in their territory. As a prominent leader, Albeiro increasingly found his life in danger, surviving five assassination attempts in just three years. In the wake of disarmament, new armed groups began to infiltrate Albeiro’s territory, escalating drug trafficking activities. Albeiro demanded these groups vacate the indigenous lands – a struggle that ultimately led to his tragic death in January 2022. His spirit continues to inspire us and resonates in every action of his community as they steadfastly defend their territory.

A brief word on

Who’s in our TEAM

The project is completely self-financed and passion driven, shot over a time period of 7 years. With an extremely small core team of 3 individuals, we were driven by our deep passion and the political necessity to contribute to change, shaping the film into the work it is today. At the same time, we are still overwhelmed by all the support and the assistance provided by the people who supported this project throughout the years and transformed it into the professional cinematic experience it has become. Having companies like K13 Studios Berlin for the 5.1 cinema sound, the editors Laia Prat and Isabel Isabel Otálvaro, or the composer Jonas Meyer, the collective Entrelazando, which helped us with additional material and countless counsels, as well as Tiwa Studios, and Way Films joining us in the post-production phase is a great honor for us.

Catalina FlorezProducer

Jonas BranderProducer, Director, Camera

Leonie PokuttaProducer

Laia PratDramaturgical Counseling

Adrian LoSound Design & Mix

Isabel OtálvaroEditor

Jonas MeyerComposer

María AcostaMotion Design

Diego Morales CifuentesGraficador

Paulo ArbelaezProduction Assistent

Laura CadenaDistribución Colombia

Ariel ArangoAdditional Camera

Blanca BonetTitle Design

Jennifer QuinteroAssistant of Direction

Mathew WaySubtitles

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